Takes 2 extra delays and roughly 10 channels/tracks for a stereo setup not including the original 2 source tracks/channels. 3-voice Guitar Harmony Effects Pedal with Harmony, Pitch Shifter, Detune, and S-BEND (Super Bend) Modes, Expression Pedal Controllability. Combine this with a make shift imager matrix via using a modified dual mid/side approach and your golden. The cool thing about this to is it will work on stereo tracks while using stereo delays for example and you still get both the L/R taps in mono to come out in mono. This can be done live or in the mixing stage. Don, I like the doubling effect with detune, but Im really trying to avoid the 'modern Eddie' sound where he detunes to make it sound bigger.
try +/-5 cents for normal detune, +/-10 cents for a more pronounced effect. Another great effect you can get with oscillator detune is that of mimicking an old. The pitch change in the output of either Detune or Chorus (or any modulated delay) is related to the shape of the LFO (specifically, the derivative or rate of change of the LFO signal). Detune definition: to change the pitch of (a stringed instrument), whether for musical or maintenance. Its ideal for use in trance, dance, techno, dubstep. the key to detune without sounding out of tune is to detune up and down the same amount. All you need to do is click your heels and detune your oscillators. Detune is essentially identical to Chorus when the LFO chosen for Chorus is a sawtooth wave. That way it sounds huge in mono and stereo without phase issues. Lizard Morph is detune and morph effect designed to deliver the powerful, penetrating sounds favoured by trance musicians. There's ways around the mono summed phase issues too by basically choosing the best take (or the ADT track(s)) and keeping that for the mono mix while setting up the double tracked take to completely cancel out in when summed to mono. All double tracking (even manually) can potentially lead to phase issues, especially when the mix is summed to mono. If you want it wider and push up the volume it will start to phase or thin out eventually. It will be a subtle, but noticable and effective method. This is a very interesting guitar effect.
If you use the HAAS delay effect like 12-20ms delay and keep the level roughly 16-26db+ below the source signal (-20db usually works good) it will come out wider than without it but not phasey either. The DigiTech Luxe Anti-Chorus is a Polyphonic Detune guitar effects pedal. Pretty sure the original ADT (automatic double tracking) that the Beatles guy used was with a tape delay fed in parallel with the original track.
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